Those who do not learn how to decipher photographs will be the illiterate of the future.
El máximo error moderno no es anunciar que Dios murió, sino
creer que el diablo ha muerto
Nicolás Gómez Dávila
Primera vez aquí el 2 de octubre de 2016
Siguiendo la fe católica, hay que sostener que la voluntad de los ángeles santos está confirmada en el bien, la de los demonios, en el mal.
(Santo Tomás de Aquino, Summa, C.64.a2 (La voluntad de los demonios, ¿se obstinó o no se obstinó en el mal?))
“The
destructive character knows only one watchword: make room; only one activity:
clearing away ...
The destructive character is young and cheerful. For destroying rejuvenates in clearing away traces of our own age ...”
― Reflections: Essays, Aphorisms, Autobiographical Writings
The destructive character is young and cheerful. For destroying rejuvenates in clearing away traces of our own age ...”
― Reflections: Essays, Aphorisms, Autobiographical Writings
“Pessimism
all along the line. Absolutely. Mistrust in the fate of literature, mistrust in
the fate of freedom, mistrust in the fate of European humanity, but three times
mistrust in all reconciliation: between classes, between nations, between
individuals. And unlimited trust only in IG Farben and the peaceful perfecting
of the air force. But what now? What next?”
―
―
“The
tradition of the oppressed teaches us that the “emergency situation” in which
we live is the rule. We must arrive at a concept of history which corresponds
to this. Then it will become clear that the task before us is the introduction
of a real state of emergency; and our position in the struggle against Fascism
will thereby improve. Not the least reason that the latter has a chance is that
its opponents, in the name of progress, greet it as a historical norm. – The
astonishment that the things we are experiencing in the 20th century are “still”
possible is by no means philosophical. It is not the beginning of knowledge,
unless it would be the knowledge that the conception of history on which it
rests is untenable.”
―
―
"It is more
arduous to honor the memory of anonymous beings than that of the renowned. The
construction of history is consecrated to the memory of the nameless.”
Cuadro de Bermejo (San Miguel trinunfante sobre el demonio)
Memorial de Walter Benjamin en Portbou. (Created by
Israeli artist Dani Karavan, the memorial to Walter Benjamin is on a clifftop
by Portbou’s municipal cemetery. It was named “Passages” in remembrance of
Benjamin’s final passage from France
to Spain, as well as his
enormous unfinished work Passagenwerk (Arcades Project) on
19th-century Paris.)
No comments:
Post a Comment