Thursday, May 30, 2024

IÑAKI OCHOA DE OLZA SEGUIN (23-05-2008+23-05-2024; LET ME LIE IN MY FOOTSTEPS)

IÑAKI OCHOA DE OLZA SEGUIN (23-05-2008+23-05-2022)

 

 

 

 

 

Toda o la mayor parte de la vida (obra) de Thoreau puede leerse bajo la clave héroe-antihéroe. En una sociedad postheroica el héroe solo puede ser un “héroe” común. Nada hay más común y antiheroico que permanecer en el suelo natal, "salir por la puerta del hombre pobre, morir poco a poco, no por un destino nuevo".La sociedad postheroica utiliza el velo del héroe, pero encubre y persigue la realidad del “héroe” común, que no es siervo ni instrumento de ningún soberano del mundo.

I will not go down under the ground ’Cause somebody tells me that death’s comin’ ’round An’ I will not carry myself down to die When I go to my grave my head will be high Let me die in my footsteps Before I go down under the ground

Saturday, May 25, 2024

BOB DYLAN'S RAIL CAR IN ITS FOOTSTEPS (26-05-2024)

 

 (Bob Dylan's Rail Car ©Chateau la Coste)

« Je vais sortir. Il faut oublier aujourd’hui les vieux chagrins, car l’air est frais et les montagnes sont élevées Les forêts sont tranquilles comme le cimetière. Cela va m’ôter ma fièvre et je ne serai plus malheureux dorénavant ». 

Thomas de Quincey. Confessions d’un mangeur d’opium.

 

 

 

When Odysseus in The Odyssey visits the famed warrior Achilles in the underworld – Achilles, who traded a long life full of peace and contentment for a short one full of honor and glory –  tells Odysseus it was all a mistake. “I just died, that’s all.” There was no honor. No immortality. And that if he could, he would choose to go back and be a lowly slave to a tenant farmer on Earth rather than be what he is – a king in the land of the dead – that whatever his struggles of life were, they were preferable to being here in this dead place.

That’s what songs are too. Our songs are alive in the land of the living. But songs are unlike literature. They’re meant to be sung, not read. The words in Shakespeare’s plays were meant to be acted on the stage. Just as lyrics in songs are meant to be sung, not read on a page. And I hope some of you get the chance to listen to these lyrics the way they were intended to be heard: in concert or on record or however people are listening to songs these days. I return once again to Homer, who says, “Sing in me, oh Muse, and through me tell the story.”

https://www.nobelprize.org/prizes/literature/2016/dylan/lecture/

Thoreau says, even today, with Homer and the "wanted man" delivering the above lecture:

The coward ever sings no song,
He listens to no chime,
He has no heart, he has no tongue,
To build the lofty rhyme.

@BOBDYLAN AT MADRID (7-06-2023) AND CHÂTEAU LA COSTE ("RAIL CAR", 25-05-2024) (II)


@BOBDYLAN AT MADRID 7-06-2023 (II, "PLAYBOYS & PLAYGIRLS" (DYLAN); THE COWARD & THE HERO (THOREAU)): Oh, ye playboys and playgirls  Ain’t a-gonna run my world   Ain’t a-gonna run my world  Ain’t a-gonna run my world  Ye playboys and playg...

 (A MIRACLE SEEMS: POETS MAY BE BORN AND SING IN OUR DAY, IN THE PRESIDENCY OF JOE BIDEN)

They say ev'rything can be replaced,Yet ev'ry distance is not near.So I remember ev'ry faceOf ev'ry man who put me here.

Dicen que todo puede ser reemplazado

Pero cualquier distancia es suficiente

Por ello recuerdo cada rostro

De todos los que me trajeron aquí 

( "I shall be released")

Bob Dylan has unveiled his largest sculpture to date at Château La Coste in Provence, France. Rail Car, the new site-specific ironwork sculpture, has been created for permanent installation in the Château’s outdoor art estate, to be displayed alongside works by leading contemporary artists and architects such as Louise Bourgeois, Ai Weiwei, Tracy Emin and Tadao Ando. 

Rail Car - an immersive, ironwork freight car installation set on train tracks – engages prominent motifs in Dylan’s art, as well as relating to aspects of his past. As Dylan describes in his Chronicles: Volume One, 'I’d seen and heard trains from my earliest childhood days and the sight and sound of them always made me feel secure. The big boxcars, the iron ore cars, freight cars, passenger trains, Pullman cars. There was no place you could go in my hometown without at least some part of the day having to stop at intersections and wait for the long trains to pass.'

The repurposed freight car that Dylan has integrated into the sculpture is a WIIX 723 double-door boxcar used to transport paper rolls for Willamette Industries, a timber and paper company based in Oregon. Work began on Rail Car in the summer of 2019, involving engineering teams in both France and the United States. The artwork was first created in Los Angeles, then disassembled, crated and shipped to France to be installed onsite at Château La Coste.

'The car has been placed in the most magical setting on the old Roman road that meanders through the forest here [at Château La Coste]. It is incredibly moving that Bob personally chose the location for his masterpiece to be on this trail that was trodden for hundreds of years by weary travellers. When I first met him in Los Angeles something obviously clicked – perhaps it was because both of us love the unique Provencal landscape – or Bob wouldn’t have embarked on his incredible journey to create Rail Car. Since his piece is all about travel, Rail Car miraculously fuses road and rail into one.'

Paddy McKillen, Founder and Owner, Château La Coste.

The unveiling of Rail Car coincides with an exhibition featuring 23 of Dylan’s paintings, entitled Drawn Blank in Provence, running until  7 November in Château La Coste’s Renzo Piano-designed art gallery.

And hark! here comes the cattle-train bearing the cattle of a thousand hills, sheepcots, stables, and cow-yards in the air, drovers with their sticks, and shepherd boys in the midst of their flocks, all but the mountain pastures, whirled along like leaves blown from the mountains by the September gales. The air is filled with the bleating of calves and sheep, and the hustling of oxen, as if a pastoral valley were going by

Y ESCUCHAD. AQUÍ VIENE EL TREN DEL GANADO CON LAS RESES DE MIL COLINAS, APRISCOS, ESTABLOS Y CAÑADAS POR EL AIRE, ARRIEROS CON SUS VARAS Y JÓVENES PASTORES EN MEDIO DE SUS REBAÑOS, TODO SALVO LOS PASTOS MONTAÑOSOS, ARREMOLINADOS COMO HOJAS TRAÍDAS DESDE LAS MONTAÑAS POR LOS VENDAVALES DE SEPTIEMBRE.

(...)

But the bell rings, and I must get off the track and let the cars go by:

PERO LA CAMPANA SUENA Y DEBO APARTARME DE LA VÍA Y DEJAR PASO A LOS VAGONES:

What's the railroad to me?

I never go to see Where it ends .

it fills a few hollows,

And makes banks for the swallows,

It sets the sand a-blowing,

And the blackberries a-growing,


QUÉ ME IMPORTA LA VÍA

NUNCA VOY A VER 

DÓNDE TERMINA

LLENA ALGUNOS AGUJEROS

Y HACE TALUDES PARA LAS GOLONDRINAS

LEVANTA LA ARENA QUE VUELA

Y LOS ARÁNDANOS QUE CRECEN

“We do not ride on the railroad; it rides upon us. Did you ever think what those sleepers are that underlie the railroad?  Each one is a man, an Irishman, or a Yankee man. The rails are laid on them, and they are covered with sand, and the cars run smoothly over them. They are sound sleepers, I assure you. And every few years a new lot is laid down and run over; so that, if some have the pleasure of riding on a rail, others have the misfortune to be ridden upon.” 

— Henry David Thoreau, “Where I lived and What I Lived For,” 

Walden

 Our most serious problem, perhaps, is that we have become a nation of fantasists. 

WENDELL BERRY


Tuesday, May 21, 2024

SKELLIG MICHAEL: ... that they might keep their land, their home, their hearth, their flesh and soul (3-07-2021+21-05-2024)

 STANDING IN A HOLE?

 


 


SKELLIG MICHAEL: ... that they might keep their land, their home, their hearth, their flesh and soul: ( Skellig Michael's monastery) The year of the monastery's foundation is unknown. Like many early Christian remnants in Kerry, it is sometim...

 Lo que se pierda y lo que se salve de nuestra civilización queda fuera de nuestro poder de decisión.No ha habido grupo humano  que haya sabido cómo diseñar su futuro.


 ("YELLOW HORIZON AND CLOUDS", Georgia O'Keeffe)

 

No llegaremos al fondo:

La muerte es un agujero 

en el que todos estamos enterrados

Gentiles y Judíos

(...)

Pero hay un agujero

en el fondo de la bolsa.

Es la imaginación

que no se puede sondear.

Es a través de este agujero

por donde escapamos


(...)

un

campo de flores, un tapiz, flores primaverales inigualables

en dulzura.


A través de este agujero

en el fondo de la caverna

de la muerte, la imaginación

escapa intacta.

(WCW, Paterson, Traducción de Margarita Ardanaz)

I had two books of his, the Collected Earlier Poems, and his newest one, Journey to love.I saw how his poems had grown out of his life (...) They relieved some of the pressure in the solitude I mentioned earlier.Reading them, I felt I had a predecessor, if not in Kentucky then in New Jersey, who confirmed and contemporized the experience of Thoreau in Concord.

(Wendell Berry, The long-legged house)

...And hoped by stretching tall that they might keep their land,
Their home, their hearth, their flesh and soul.
But they, like us, were standing in a hole.

(Ray Bradbury)


 

Friday, May 17, 2024

LOS "CHARLATANES O CIEGOS LÍDERES DE LOS CIEGOS" DE OCCIDENTE

 

 "WWI was a railway war of centralism and encirclement. WWII was a radio war of de-centralism. WWIII is a guerrilla information war with no division between military and civilian participation." - Marshall McLuhan (1970)

 

Thursday, May 16, 2024

EL ALMA DEL EBRO Y EL TERCER MILENIO

Diario 23 de Abril de 1859

 

Un hombre sabio sabrá qué juego jugar hoy y lo jugará. No debemos ser gobernados por reglas rígidas, como por un almanaque, sino dejar que la estación nos guíe. Los humores y pensamientos del hombre están girando tan uniforme e incesantemente como los de la naturaleza. Nada debe ser pospuesto. Agarra el tiempo por el flequillo. Ahora o nunca. Debes vivir en el presente. Lánzate sobre cada ola, encuentra tu eternidad en cada momento.

HDT

Mi vida actual es un hecho en virtud del cual no tengo oportunidad de congratularme, sino respecto de la fe y aspiración que tengo. Es desde ellas desde las que hablo. La posición de cada hombre es de hecho demasiado simple para ser descrita. No he hecho ningún juramento. No tengo aspiraciones sobre la sociedad-o la Naturaleza-o Dios. Soy simplemente lo que soy, o empiezo a serlo. Vivo en el presente, solo recuerdo el pasado y anticipo el futuro.

(…)

Persigue, mantente, gira y gira alrededor de tu vida como un perro alrededor del carro de su dueño. Conoce tu propio hueso, róelo, entiérralo, desentiérralo y róelo todavía. No seas demasiado moral. Puedes sentirte defraudado de la vida por ello. Aspira por encima de la moralidad. No seas simplemente bueno, se bueno para algo. Todas las fábulas tienen su moraleja, pero el inocente disfruta la historia.

No dejes que nada se interponga entre tú y la luz.

(carta a Blake, 27 de Marzo de 1848)

 

(Aquí 6 de marzo de 2011)

“(…)

Debemos comer, todavía,

el pan que hemos despreciado,

debemos reunir los haces que hemos quemado.

Debemos salir por la puerta del hombre pobre,

morir poco a poco,

no por un nuevo destino.

Entonces no hay camino,

por este lado, mi amigo,

todos los caminos

no tienen final.

Cuando me he adormecido
he escuchado sonidos
como de viajeros pasando
por mi propiedad
Fue una música suave
propagada por ellos
no podría decir
si de lejos o cerca.
A menos que lo soñara
era muy antigua,
pero nunca antes lo dije
a ningún mortal.
Nunca recordada
sino en mis sueños,
un milagro parece
cuando despierto.
Si das tu pulso y tu grano
otra vez juntaremos estas llamas
sin duda aquí estaremos
hasta que un milagro apague este fuego


HDT 

(Fragmento del poema “El héroe” de Henry David Thoreau, traducción Guillermo Ruiz)

Primera vez aquí el 27 de septiembre de 2008

El eco de los sentimientos humanos persiste en los paisajes, como espectros ajenos al tiempo.

Kevin Barry 



 


 

Tuesday, May 14, 2024

CORRUPTION CRISIS AND THOREAU

 

 

 

"Much has been said about American slavery, but I think that we do not even yet realize what slavery is. If I were seriously to propose to Congress to make mankind into sausages, I have no doubt that most of the members would smile at my proposition, and if any believed me to be in earnest, they would think that I proposed something much worse than Congress had ever done. But if any of them will tell me that to make a man into a sausage would be much worse — would be any worse — than to make him into a slave — than it was to enact the Fugitive Slave Law, I will accuse him of foolishness, of intellectual incapacity, of making a distinction without a difference. The one is just as sensible a proposition as the other.

(…)

The foul slime stands for the sloth and vice of man, the decay of humanity; the fragrant flower that springs from it, for the purity and courage which are immortal. 

Slavery and servility have produced no sweet-scented flower annually, to charm the senses of men, for they have no real life: they are merely a decaying and a death, offensive to all healthy nostrils. We do not complain that they live, but that they do not get buried. Let the living bury them: even they are good for manure."


Slavery in Massachusetts
 
by Henry David Thoreau

 

La esclavitud y la servidumbre no han producido ninguna flor de aroma dulce anualmente, para animar los sentidos del hombre, porque no tienen vida real: son meramente un decaimiento y una muerte, ofensivas a todos los orificios nasales sanos. No nos oponemos a que ellas vivan, sino a que no sean enterradas. Permitamos que los vivos las entierren. Incluso ellas son buenas como abono.


HDT (Esclavitud en Massachusetts)

 

Saturday, May 11, 2024

"BRILLANTE ES EL ANILLO DE LAS PALABRAS" (JULIO 1967-10-05-2024)



BRILLANTE ES EL ANILLO DE LAS PALABRAS

Cuando el hombre adecuado las reúne

Bellas las canciones proferidas

cuando el cantor las dice

Todavía son entonadas y dichas

como sobre alas son transmitidas

Después de muerto el cantor

y enterrado el poeta

 

Humildes como descansa el cantor

en el campo de brezo

las canciones de su hechura reúnen

a los jóvenes juntos

y cuando el oeste se vuelve rojo

con los tizones del ocaso

el amante permanece y canta

y su pareja recuerda

RLS (Bright is the Ring of Words)

EL TEMPLO DE LA LAVANDA DEL BOSQUE

Un ramo perfumado de lavanda

tú, querido niño, me diste,

Creció, dijiste, por el lecho de la rosa roja,

y bajo el árbol del jazmín.


Era dulce, ay dulce, por muchas cosas,

Pero (más dulce que todas) con el aroma

de largos años y sonrisas y lágrimas

fue para mí fragante

Lady Caroline Blanche Elisabeth Lindsay (The Temple of the Wood Lavender)

 "Surely joy is the condition of life" HDT


"Mi libro Der Geist der Hoffnung comienza con un verso de Paul Celan. Me gustaría cerrar mi conferencia con este verso: "Una estrella/tiene todavía luz./Nada,/nada está perdido." (La tonalidad del pensamiento)


To the sick, indeed, nature is sick, but to the well, a fountain of health. To him who contemplates a trait of natural beauty no harm nor disappointment can come. The doctrines of despair, of spiritual or political tyranny or servitude, were never taught by such as shared the serenity of nature. Surely good courage will not flag here on the Atlantic border, as long as we are flanked by the Fur Countries. There is enough in that sound to cheer one under any circumstances. The spruce, the hemlock, and the pine will not countenance despair. Methinks some creeds in vestries and churches do forget the hunter wrapped in furs by the Great Slave Lake, and that the Esquimaux sledges are drawn by dogs, and in the twilight of the northern night, the hunter does not give over to follow the seal and walrus on the ice. They are of sick and diseased imaginations who would toll the world's knell so soon. Cannot these sedentary sects do better than prepare the shrouds and write the epitaphs of those other busy living men? The practical faith of all men belies the preacher's consolation. What is any man's discourse to me, if I am not sensible of something in it as steady and cheery as the creak of crickets? In it the woods must be relieved against the sky. Men tire me when I am not constantly greeted and refreshed as by the flux of sparkling streams. Surely joy is the condition of life. Think of the young fry that leap in ponds, the myriads of insects ushered into being on a summer evening, the incessant note of the hyla with which the woods ring in the spring, the nonchalance of the butterfly carrying accident and change painted in a thousand hues upon its wings, or the brook minnow stoutly stemming the current, the lustre of whose scales worn bright by the attrition is reflected upon the bank.

We fancy that this din of religion, literature, and philosophy, which is heard in pulpits, lyceums, and parlors, vibrates through the universe, and is as catholic a sound as the creaking of the earth's axle; but if a man sleep soundly, he will forget it all between sunset and dawn. It is the three-inch swing of a pendulum in a cupboard, which the great pulse of nature vibrates by and through each instant. When we lift our eyelids and open our ears, it disappears with smoke and rattle like the cars on a railroad. When I detect a beauty in any of the recesses of nature, I am reminded, by the serene and retired spirit in which it requires to be contemplated, of the inexpressible privacy of a life,--how silent and unambitious it is. The beauty there is in mosses must be considered from the holiest, quietest nook. What an admirable training is science for the more active warfare of life. Indeed, the unchallenged bravery, which these studies imply, is far more impressive than the trumpeted valor of the warrior. I am pleased to learn that Thales was up and stirring by night not unfrequently, as his astronomical discoveries prove. Linnaeus, setting out for Lapland, surveys his "comb" and "spare shirt," "leathern breeches" and "gauze cap to keep off gnats," with as much complacency as Bonaparte a park of artillery for the Russian campaign. The quiet bravery of the man is admirable. His eye is to take in fish, flower, and bird, quadruped and biped. Science is always brave, for to know, is to know good; doubt and danger quail before her eye. What the coward overlooks in his hurry, she calmly scrutinizes, breaking ground like a pioneer for the array of arts that follow in her train.

HDT (Natural History of Massachusetts)


Tuesday, May 07, 2024

"CONTRA LA SOCIEDAD DEL MIEDO": MAILER Y GROSSMAN (II, 7-05-2024)

La "literatura bélica" es literatura como cualquier otra: solo si ha sido y es vida.Mailer y Grossman no pueden diferir en esto